Thursday, August 20, 2009

Uniquely Singapore



我曾经在这个名为<多美歌Dhoby Ghaut>地铁站外的小公园拍过一张照片。
那个时候,我下来新加坡探访一个在新加坡工作的“老死”。那个“老死”现已移居他国了。
那个时候,路旁的树没成长,地铁还没通车呢!现在想想真的事
物依旧,但是拍照的人已经面目全非了。
义安城前有一广场,最适合观人潮。观人People Watching始终是我出走的最爱活动。此时正值周末,乌节路Orchard Road地处黄金地带,人潮拥挤。我突觉 “奇怪,当初为什么会把Orchard译成乌节呢?因为咱们只要输入“乌”字,接下来出现的尽是一些负面的字眼。难道当初翻译时就不信邪,就好比当初新加坡脱离马来西亚时,没人看好。时值今日,新加坡还是成功了。哈哈,我又开始想太多了。
Night view by the SINGAPORE River.
The ONCE notorious BUGIS STREET, internationally known from the 1950s to the 1980s for its nightly gathering of transevette, a phenomenon which made it one of Singapore's top tourist destinations during that period. is now a CLEAN, HYGIENE street mall.
In the mid-1980s, Bugis Street underwent major urban redevelopment into a retail complex of modern shopping malls, restaurants and nightspots mixed with regulated back-alley roadside vendors. Underground digging to construct the Bugis MRT station prior to that also caused the
upheaval and termination of nightly transgender sex bazaar culture, marking the end of a colourful and unique era in Singapore's history. Today, the original Bugis Street is now a cobblestoned, relatively wide avenue sandwiched between the buildings of the Bugis Junction shopping complex.
A NEW Icon in the making @ ORCHARD ~ The ION ORCHARD.
My HOME @ GEYLANG.

The control tower of SINGAPORE CHANGI Airport still standing tall after so many years and became an ICON of SINGAPORE.

男女男

在KLIA-LCCT见一标志,觉得有趣而把它给拍下。

Wednesday, July 08, 2009

AURORA

Opened an em@il from a friend with this attachment while watching MICHAEL JACKSON The Memorial on CNN LIVE.

"MAY THERE BE PEACE WITH MJ FOREVER"

Tuesday, June 30, 2009

NEW Heineken Commercial - verry funny

D E P A R T U R E S (おくりびと Okuribito)

贏得奧斯卡最佳外語片的這一部「送行者」,令看的人都心情沉重起來。这部电影藉由入殮的儀式,展現日本文化細膩的美感,以及對於死亡和生命的看法,充滿智慧。很少有一部電影用人生最終的ㄧ個儀式-「入殮」,來提醒我們,生命很短。很少有一部電影可以用這麼含蓄的方式告訴我們,人生中的一些堅持應該被傳承下來。雖然是個平常大家避諱去提到的話題,卻是每個人一生中必須好幾次面對的事情。而「送行者」這麼能引起大家共鳴的原因,是片中碰觸到我們可能會遇到的危機,包含對於「失去」的面對。
人的ㄧ生最看重的,無非是親人、愛人、生命、進而可能是工作和生活樂趣。人在「失去」中,需要儀式,需要一個心安和圓滿的方式說再見。我們都知道,對於我們最親近的人,反而很難說出我們的感受;對於一個深愛的人,反而很難完美地說好再見。所以最後「送行」的儀式需要一個專業的第三者來進行,需要一個莊嚴的態度來面對,更需要一個很溫柔的處理方式──不僅僅是溫柔地對待死去的軀殼,更是溫柔地撫慰在場的每一個「在世人」的心靈,尊重地對待每個曾經存在的靈魂與故事。為什麼這部片令這麼多人落淚呢?我們看到了每個家庭在面對這個「失去」危機時有著不同的恐慌和脆弱。在家庭中常常有很多不能碰觸的話題和死角,是大家即使到了最後一刻,也難以啟齒而無法與彼此討論的。而這個矜持不僅僅是個人面對真實的正常畏懼,也是在每個文化都存在的弱點。電影中用人生最後的儀式道出親人之間的愛,也坦然地面對每一個家庭溝通的問題
或許,愈是面對我們愛的人,愈難去正常表達我們深深的感謝和愛意,或是---歉意吧。



Sunday, June 28, 2009

UNIQLO 优衣库

HUH? TOILET for the HEADLESS ( or the BRAINLESS ) PWTC, Kuala Lumpur.

“方便埋便”

Wednesday, June 17, 2009

FUN with MAC

Play with MAC again @ PAV KL with TEAN on 20090712




从事创作的朋友多拥有一部MAC,也许因为它拥有一个“潮爆”的外形,所以当你见有人手挽一部MAC时,十成九他们都是创作人。说真的,对我来说一部MAC也只不过是一部电脑而已。那天有个从事创作的朋友就用了部MAC拍下了这些照片。哈,MAC果然不同凡响。好好玩。


Tuesday, May 26, 2009

Saturday, May 23, 2009

香港初体验

也不是第一次涉足香港,我以前甚至可以很“串”的说,“上个星期在铜锣湾碰到某某人。” 又或者 “一个月没去香港了。” 好像就住在香港似的。不晓得掉了多少脚毛在港九各地区。不明就里的人听了蛮不是味道。《香港初体验》,哈哈,这次“折堕”了。

My very FIRST mask-wearing experince in HONG KONG

这次在香港刚好碰上猪流感确诊个案。导致整栋湾仔维景酒店被QUARANTINE。而香港政府汲取了上一次SARS的经验,卫保的功夫做得很足。很多卫保的方式我都前所未闻。也许是我孤陋寡闻,比如说,升降机里的按钮粘上一张胶纸,每隔一至两个小时消毒撤换,以防病毒通过按钮传染。另外媒体不断的提醒大众由自己做起,要注意个人卫生,正确的洗手方式。感冒了要带口罩,而不是鼓励大众带口罩以防被感染。

这次对我来说真的是初体验。

不过倒是碰到有件“趣”事。话说有一下午,我带着我妈乘搭地铁返回酒店休息,众所皆知,香港地铁人多是件平常事,地铁站里上车的闸口多是挤满了人。我为了让母亲能够较容易上车,四目张望看看那个闸口较少人,出乎意料的竟然有个闸口前只有一个带口罩的少女。我携带母亲走近闸口,心里在想,“奇怪,为什么只有这个闸口没人。”我的念头还没想完,这个带口罩的少女咳了两声,只见不远处有另外一个人挪动身躯,离她更远。哈,我终于明白了为什么这个闸口没人这是另一个香港初体验 J

Sunday, May 17, 2009

澳游记

The Kun Iam Ecumenical Centre located on a man-made island is linked to the Avenida de Sun Yat-sen in ZAPE by a causeway 60 metres long. The Centre is composted of two parts: the Kun Iam Statue in bronze which weighs 50 tonnes and measures 20 metres high, and the dome-shaped lotus stands with sixteen petals which measures 7 metres high and 19 metres across. The statue consists of different castings that permit the variation of strong winds.
The Centre is divided in 2 levels: the first level is the Polyvalent Room on which the souvenir counter is located. The second level is a basement where a contemplation Room and a small library are located. The contemplation Room has a capacity of 50 people and is dedicated to mini activities, such as conferences, exhibitions and films, etc.
澳门以前是个小渔村,她的本名为濠镜或濠镜澳,因为当时泊口可称为“澳”。澳门及其附近盛产蚝(即牡蛎),蚝壳内壁光亮如镜,澳门因此被称为蚝镜。后人把这个名称改为较文雅的“濠镜”。清干隆年间出版的《澳门纪略》中说:“濠镜之名,着于《明史》。东西五六里、南北半之,有南北二湾,可以泊船。或曰南北二湾,规圆如镜,故曰濠镜。”从这个名称中,又引申出濠江、海镜、镜海等一连串澳门的别名。澳门的名字源于渔民非常敬仰的一位中国女神──天后,她又名娘妈。据说,一艘渔船在天气晴朗、风平浪静的日子里航行,突遇狂风雷暴,渔民处于危难。危急关头,一位少女站了出来,下令风暴停止。风竟然止住了,大海也恢复了平静,渔船平安地到达了海镜港。上岸后,少女朝妈阁山走去,忽然一轮光环照耀,少女化做一缕青烟。
后来,人们在她登岸的地方,建了一座庙宇供奉这位娘妈。十六世纪中叶,第一批葡萄牙人抵澳时,询问居民当地的名称,居民误以为指庙宇,答称“妈阁”。葡萄牙人以其音而译成“MACAU”,成为澳门葡文名称的由来。在后来的四百多年时间里,东西文化一直在此地相互交融,留下了许多历史文化遗产,使澳门成为一个独特的城市。
The Ruins of St. Paul's (Portuguese: Ruínas de São Paulo) refer to the façade of what was originally the Cathedral of St. Paul's, a 17th century Portug
uese cathedral in Macau dedicated toSaint Paul the Apostle. Today, the ruins are one of Macau's most famous landmarks. In 2005, the Ruins of St. Paul were officially enlisted as part of the UNESCO World Heritage Site Historic Centre of Macau.
Built from 1582 to 1602 by the Jesuits, the cathedral was the largest Catholic church in Asia at the time, and the royalty of Europe vied with each other to bestow upon the cathedral the best gifts. With the decline in importance of Macau, which was overtaken as the main port for the Pearl River Delta by Hong Kong, the cathedral's fortunes similarly ebbed, and it was destroyed by a fire during a typhoon in 1835. The Fortaleza do Monte overlooks the ruin.
The ruins now consist of the southern stone façade — intricately carved between 1620 and 1627 by Japanese Christians in exile from their homeland and local craftsmen under the direction of Italian Jesuit Carlo Spinola — and the crypts of the Jesuits who established and maintained the Cathedral. The façade sits on a small hill, with 66 stone steps leading up to it. The carvings include Jesuit images with Oriental themes, such as a woman stepping on a seven-headed hydra, described by Chinese characters as 'the Holy Mother tramples the heads of the dragon'. A few of the other carvings are the founders of the Jesuit Order, the conquest of Death by Jesus, and at the very top, a dove with wings outstretched.
Resisting calls for the dangerously leaning structure to be demolished, from 1990 to 1995 the ruins were excavated under the auspices of the Instituto Cultural de Macau to study its historic past. The crypt and the foundations were uncovered, revealing the architectural plan of the building. Numerous religious artifacts were also found together with the relics of the Japanese Christian martyrs and the monastic clergy, including the founder of the Jesuit college in
Macau, Father Alessandro Valignano. The ruins were restored by the Macanese government into amuseum, and the facade is now buttressed with concrete and steel in a way which preserves the aesthetic integrity of the facade. A steel stairway allows tourists to climb up to the top of the facade from the rear. It is customary to throw coins into the top window of the ruins from the stairs, for luck.

炎炎夏日,令人想到水的清凉。以前的人爱取冰凉的井水使用,令人去尽暑气,但现今再难在澳门找到一口井了。亚婆井前地以及塔石艺文馆等地仍保留原有的古井,但因澳门现已不倚靠井作为水源,故只保留井的外貌。传说明朝时期一位婆婆在此地造了口井,方便居民汲取饮用,故称亚婆井。亚婆井的葡文意思是「山泉」(lilau),以前是澳门主要的水源,因此成为葡萄牙人在澳门最早的聚居点之一。昔日葡萄牙式建筑依然保留着,与中国近代着名思想家郑观应的大宅遥遥相对,体会中西两种相异文化和平共处的特色。澳门葡人民谣说:「喝了亚婆井水,忘不掉澳门;要么在澳门成家,要么远别重来。」可见本地葡人对亚婆井具有深厚的感情。亚婆井一带现被评定为历史建筑群,称为亚婆井前地。四周的南欧风格建筑物及两株百年老榕树保留至今,令这里存着一份古韵。
每当夜幕低垂,橙黄的灯光打在古旧的建筑上,光影交织出神秘的面纱,妩媚的夜色与白天迥然不同,游人在迷人的夜景下开始了多姿多彩的生活。

澳门是个不夜之城,澳门夜间消闲节目十分丰富。单单逛CASINO已经十分具有娱乐性,都可度过一个醉人的晚上。澳门的博彩业非常发达,有「东方蒙地卡罗」的显赫名声。娱乐场分别位于澳门半岛和氹仔的一些酒店内,这些娱乐场一天二十四小时开放。娱乐场可自由进出,不用入场费。18岁以下的游客及21岁以下的本地人士不准进入,娱乐场内没有衣着限制,但宜整洁。在澳门,各娱乐场的规则一致。娱乐场只接受澳门币或港币的投注,如游客所持的为外币,可往邻近的找换店或银行兑换。

Tuesday, May 05, 2009

重操故业

上个星期,我重操故业“卖声”去了。开工的那一天,我到了工作地点,相同的环境,熟悉的味道并不能使我放松情绪,结果导致“音道”收缩。不过结果我还是战胜了自己的情绪,心里嘀咕着“来吧!死就死吧!”战战兢兢的完成了整个过程。

 

这就是我替一家公司录的VoiceOver心情写照。哈哈。



录音完毕之后,我在facebook留言

Sean LIM baru habis rakamanTAPI rasanya kurang memuaskan。》

P/S 大家可以点击题目以便了解Boston又一城是什么东东?:-P

Sunday, April 26, 2009