
Saturday, June 24, 2006
Friday, June 16, 2006
太傻
前一陣子聽朋友說, 柯以敏從中國返馬探親。 當然Mindy(柯以敏的洋名)在吉隆坡也見了我這位和她情同姊妹的朋友。 不知怎的, Mindy向這位朋友說起她想找回当年她在馬來西亞時所發的專輯(之後柯以敏到台灣發展)。 結果找上我這個"過去式"的DJ, 在我的舊CD堆里找到了Mindy所想找的。
當年闹双胞胎的这首太傻,搞得满城风雨。 公说公有理,婆说婆有理。 事隔多年, 大家不妨重溫下。。。
太傻,只因守住你的承诺。
太傻,只因一切都只是一厢情愿。
太傻,只因对你太好,你觉得不重要。
當年闹双胞胎的这首太傻,搞得满城风雨。 公说公有理,婆说婆有理。 事隔多年, 大家不妨重溫下。。。
太傻,只因守住你的承诺。
太傻,只因一切都只是一厢情愿。
太傻,只因对你太好,你觉得不重要。
Thursday, May 18, 2006
Lelaki Komunis Terakhir
The Malaysia film scene has been "noisy" lately after being dull and quiet for sometimes. First, there is GUBRA that challenged the social taboo about inter racial marriage and now...The Last Communist
Lelaki Komunis Terakhir is a semi-musical road movie documentary tracing the towns in which Chin Peng (exiled leader of the banned Communist Party of Malaya) lived in from birth to national independence in 1957.
Although I may have not watched this film, the controversials arise from this film makes me curious about WHY IS LELAKI KOMUNIS TERAKHIR BANNED IN MALAYSIA?
藝術文化
Wednesday, May 03, 2006
Wednesday, April 12, 2006
春光在尖叫 ~ 不禁'首爾'

4月遠赴首爾。 為的只是出席一場花卉的盛會。4月的首爾, 聪明的櫻花最懂得拥抱她们短暂的美丽。 每年春天,乍暖还冷之下,她们都合作无间地進行炫燿式的表現。 仿如春光在尖叫(文康說的)。然后她们亦懂得同时凋零,不让任何姐妹孤零地留下泪痕。。。 春光在尖叫。。。咋聽之下, 好像不可思議。 然而只要大家用心去體會, 再度從心出發, 不難發覺箇中的想像力是貼切的。 春光若不尖叫, 咱們怎知春光已到。
樱花花季在每年的四月就会在东北亚的韩国,日本盛开。大概只开两个星期左右,而且花瓣脆弱易掉。我曾经站在樱花树下观花,谁知风一刮,花瓣纷纷落下。那个时候,诱发了我的老毛病~感性,所以写下以下这篇文字。虽然“文皱皱”,但是我用心。当时我脑子漂浮起来的其实是红楼梦里黛玉葬花那一章。而且我迷恋上那短暂的灿烂。。。好像从来都没有试过与海鸥那么靠近。。。
Wednesday, April 05, 2006
Monday, April 03, 2006
Friday, March 10, 2006
《一个人》
Thursday, March 02, 2006
失落的地平線
Wednesday, February 15, 2006
Don't let the moments pass by like this train。。。
記憶與收藏其實是同一回事, 雖然行色匆匆的生活變得理所當然. 然而大家都認真地保留和時間打交道的痕跡. 當這些痕跡被成熟地記錄整理后, 部份或者被呈現出來的就有MEMOIR. 脆弱的生命隨時都可以消失, 一切都可能轉瞬即空,歸於破滅. 惟有逝者的靈魂和生者的情感是永遠的存在.
往事并不一定如湮. 有些回憶在心底, 或多或少都曾有過這樣的激盪, 一種揮抹不去的感覺, 日日夜夜糾纏著你. 有些回憶會隨風而逝, 而有些回憶卻永遠的埋藏在心底。。。
曾經有次乘搭國泰航空, 深深的被這兩行印在MENU "亞洲脈搏亞洲心, 百味人生百味甘." 的詞所吸引. 青澀年代的情懷換來今日的百感交集. 縱使以前的情節已模楜, 至少那份感覺是真的. 連遺撼也是真的, 不是嗎?
Tuesday, February 14, 2006
LOVE
A bell is no bell 'till you ring it,
A song is no song 'till you sing it,
And love in your heart wasn't put there to stay,
Love isn't love 'till you give away.
A song is no song 'till you sing it,
And love in your heart wasn't put there to stay,
Love isn't love 'till you give away.
From Oscar Hammerstein, "The Sound of Music", "You Are Sixteen Going To Seventeen (Reprise)"
HAPPY VALENTINE
2006
Wednesday, January 18, 2006
What the STARs say...
說到愛, 應該是說到每一種愛, 都是很難解釋的, 都是沒有對錯的。
張艾嘉
去喜歡你所做的每一件事, 而不是只做你所喜歡的每一件事。
楊惠珊
Celebrity is such a random assignment that you might as well do something useful with it.
MEG RYAN
Sometimes it's for economic reasons, and other times, it's a culcural thing. I don't think it's right or wrong, it's different for different people.
MATTHEW McCONAUGHEY
並非人人有機會付出, 既然有機會, 便要努力做好.
劉德華
我們都談過戀愛, 也都受過傷害, 能夠走在一起, 就是幸福.
周迅
My favourite time of the holidays is when the children have torn open their loot and dilivered their verdicts and are looking to you for something else...memories that have nothing to do with things bought.
JAMIE LEE CURTIS
Joy is one of the only emotions you can't contrive.
BONO
You're never as good as they say you are.
GEORGE CLOONEY
Saturday, January 14, 2006
遇見妳真好, Emi FUJITA
It was a GREAT night, was there when Emi Fujita performed an exclusive showcase at Hard Rock Cafe, Kuala Lumpur. With a solo discography of four albums – Camomile Extra, Camomile Blend, Lullaby of Camomile-Live in Singapore, and Rembrandt Sky, Fujita is notable name in the J-Pop scene in Japan.
Fujita, who is better known as one half of the husband-wife group, Le Couple, started out playing country bluegrass at the age of 19, performing live at country type gatherings in Japan.
She started writing her own material in her late 20s, her music influenced by the likes of Mary Black, Elton John, James Taylor, Eddie Reeder and Elvis Costello.
She and her husband, Ryuji Fujita, debuted as a married couple in 1994. Their most memorable work is the heart-warming theme song of the popular drama Under The Same Roof, aptly titled Hidamari No Uta (Heartwarming Song in Japan). It sold a whopping 1.8 million copies in Japan in 1997.
In Asia, Fujita better know as part of Le Couple than a solo artiste, but her English solo albums entitled Camomile Extra and Camomile Blend have sold a total of 45,000 copies in Malaysia and Singapore. This is an impressive figure as only mainstream A-listers like Ayumi Hamasaki and BOA have managed to cross the 10,000 mark.
Fujita, who is better known as one half of the husband-wife group, Le Couple, started out playing country bluegrass at the age of 19, performing live at country type gatherings in Japan.
She started writing her own material in her late 20s, her music influenced by the likes of Mary Black, Elton John, James Taylor, Eddie Reeder and Elvis Costello.
She and her husband, Ryuji Fujita, debuted as a married couple in 1994. Their most memorable work is the heart-warming theme song of the popular drama Under The Same Roof, aptly titled Hidamari No Uta (Heartwarming Song in Japan). It sold a whopping 1.8 million copies in Japan in 1997.
In Asia, Fujita better know as part of Le Couple than a solo artiste, but her English solo albums entitled Camomile Extra and Camomile Blend have sold a total of 45,000 copies in Malaysia and Singapore. This is an impressive figure as only mainstream A-listers like Ayumi Hamasaki and BOA have managed to cross the 10,000 mark.
Tuesday, January 10, 2006
身體語言
依稀記得在我唸書的時候, 正處於中國敏感期, 華文在東南亞不被重視. 甚至有些國家視華文如洪水猛獸而被禁使用. 那個年代有些大人們總是叮嚀說英文這一科很重要. 因為征聘廣告總是註明 PREFERABLY GOOD COMMAND OF ENGLISH. 另一些大人則說當然是馬來文重要, 因為馬來文是國語, 所有公函均用馬來文書寫. 到底那一個語言比較重要, 公婆皆有道理. 其實我也不是想在此討論將來那一個語言會較那一個語言重要. 只是覺得好像大家都忽略了一個容易學習而且全世界都明白的語言 - 身體語言.
握手, 擁抱, 親臉, 揮手, 鎖眉。。。這些跨越國界的無聲語言, 不須學習, 一看就明. 對著喜歡的人, 身體會不由自主的傾向他那邊, 一個眼神的交流, 一切盡在不言中...
身體語言易明不易做, 尤其是對愛的表現, 礙於東西方文化的差異, 相較於西方的熱情開放的行為, 東方人含蓄
得多. 雖然形式上對愛的表現看似表面, 但是往往震撼人心的...哪怕只是牽一牽手. 點頭微笑打個招呼.
得多. 雖然形式上對愛的表現看似表面, 但是往往震撼人心的...哪怕只是牽一牽手. 點頭微笑打個招呼.在我們的成長中, 常面對周圍許多莫名其妙的社會規範 (SOCIAL NORM), 慢慢的我們忘記了自己天賦的能力, 以生俱來的身體語言. 有沒有想過你多久沒牽手, 沒微笑打招呼, 沒更你所在乎的人說 “我愛你”.
每一個晚上 - My SELECTION
《每一个晚上 》,是我当年在电台主持的节目名称。my selection 是我喜欢的,也常出现在我的电台节目的歌。
每一個晚上 林子祥
緣分的天空 湯寶如
很多时候,很多人与事物的发生,表面看似巧合,其实有缘。
我的所在我的人 江惠
仍然是最愛你 彭羚
人海茫茫中寻寻觅觅,兜兜转转,暮然回首,才发觉最爱的人仍然是当初的那个。
爱如潮水 张信哲
喜欢一个人的感觉是澎湃的,内心一直处于一种思念的状态。有人比喻说,喜欢一个人有如被人掐着自己的脖子,因要窒息而投降的无力感。然而爱一个人的澎湃心情是难以平复的,但是爱一个人而不被爱的爱情是行不通的,千古不变。
他 叶倩文
从昨晚开始,我开始惦记着他,由邂逅的那一刻起。我想这是对一个人有好感的开始。我又怕又爱,但是却又不想主动的联络他。年齡越大越沒有勇氣,也許我想得太多了。可是我打从心里就想当一个完全配合的被动者。心里有一种甜蜜的感觉,我知道那是久違的爱。
NEON LIGHT 蔡琴
霓虹灯管似乎是一座城市繁荣的指标,令人纳闷的是很多时候,咱们身在五光十色城市内,人来人往中,我们却常常感到寂寞。
因为寂寞 张艾嘉
唱不完的情,唱不完的爱 赵传
问世间情为何物?为什么生命中总有唱不完的情,唱不完的爱。
分不到你的爱 王小琥
在三角关系里,没有所谓的先后次序问题,道义上也谈不上什么责任。简单的来说,不被爱的那一个才是第三者。
每天爱你多一些 张学友
领悟 辛晓琪
压力与甜点有很微妙的关系。STRESSED倒写就是DESSERTS。生命里有很多压力,很多时候,只要咱们转个观念,换个角度来看,它就是我们生命中的《甜点》。
每一個晚上 林子祥
緣分的天空 湯寶如
很多时候,很多人与事物的发生,表面看似巧合,其实有缘。
我的所在我的人 江惠
仍然是最愛你 彭羚
人海茫茫中寻寻觅觅,兜兜转转,暮然回首,才发觉最爱的人仍然是当初的那个。
爱如潮水 张信哲
喜欢一个人的感觉是澎湃的,内心一直处于一种思念的状态。有人比喻说,喜欢一个人有如被人掐着自己的脖子,因要窒息而投降的无力感。然而爱一个人的澎湃心情是难以平复的,但是爱一个人而不被爱的爱情是行不通的,千古不变。
他 叶倩文
从昨晚开始,我开始惦记着他,由邂逅的那一刻起。我想这是对一个人有好感的开始。我又怕又爱,但是却又不想主动的联络他。年齡越大越沒有勇氣,也許我想得太多了。可是我打从心里就想当一个完全配合的被动者。心里有一种甜蜜的感觉,我知道那是久違的爱。
NEON LIGHT 蔡琴
霓虹灯管似乎是一座城市繁荣的指标,令人纳闷的是很多时候,咱们身在五光十色城市内,人来人往中,我们却常常感到寂寞。
因为寂寞 张艾嘉
唱不完的情,唱不完的爱 赵传
问世间情为何物?为什么生命中总有唱不完的情,唱不完的爱。
分不到你的爱 王小琥
在三角关系里,没有所谓的先后次序问题,道义上也谈不上什么责任。简单的来说,不被爱的那一个才是第三者。
每天爱你多一些 张学友
领悟 辛晓琪
压力与甜点有很微妙的关系。STRESSED倒写就是DESSERTS。生命里有很多压力,很多时候,只要咱们转个观念,换个角度来看,它就是我们生命中的《甜点》。
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